{"id":52238,"date":"2025-05-29T11:12:39","date_gmt":"2025-05-29T11:12:39","guid":{"rendered":"https:\/\/scenaamadeo.hr\/wordpress\/?p=52238"},"modified":"2025-06-25T14:36:57","modified_gmt":"2025-06-25T14:36:57","slug":"zagreb-klezmer-kvintet-mario-igrec-gitara-bruno-philipp-klarinet-krunoslav-maric-violina-luka-zuzic-trombon-i-klavir-zvonimir-sestak-kontrabas","status":"publish","type":"post","link":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/2025\/05\/29\/zagreb-klezmer-kvintet-mario-igrec-gitara-bruno-philipp-klarinet-krunoslav-maric-violina-luka-zuzic-trombon-i-klavir-zvonimir-sestak-kontrabas\/","title":{"rendered":"Utorak, 09. rujna | ZAGREB KLEZMER KVINTET"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>&#8221;Isprepleten proturje\u010dnim raspolo\u017eenjima, ovaj stil obuhva\u0107a melankoliju, neobuzdanu \u017eivotnu radost, bezbri\u017enost, ples, ali jednako mo\u017ee izmamiti i suze na o\u010di&#8230;&#8221;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mario Igrec, gitara; Bruno Philipp, klarinet; Krunoslav Mari\u0107, violina; Luka \u017du\u017ei\u0107, trombon i klavir; Zvonimir \u0160estak, kontrabas<\/strong><\/p>\n\n\n\n<div class=\"wp-block-stackable-divider stk-block-divider stk-block stk-fbdd0af\" data-block-id=\"fbdd0af\"><hr class=\"stk-block-divider__hr\"\/><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Nakon pro\u0161logodi\u0161njeg sjajnog nastupa na Sceni Amadeo, Zagreb klezmer kvintet \u0107e u svojem ovogodi\u0161njem programu prikazati inovativnost obrada autenti\u010dnog klezmera s glazbenim utjecajem jazza, klasike i orijentalnih melodija.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Po\u010detkom 2018. godine zapo\u010dinje suradnja troje etabliranih glazbenika s dugogodi\u0161njom \u017eeljom zajedni\u010dkog muziciranja sviranja klezmera, glazbenog \u017eanra prepoznatljivog po karakteristi\u010dnim izra\u017eajnim melodijama nalik ljudskom glasu. Postoje\u0107em triju kasnije se pridru\u017euju violina, trombon i klavir u pro\u0161irenom sastavu autenti\u010dnog klezmer zvuka. Razni glazbeni stilovi utjecali su na stvaranje klezmera (rumunjska tradicija, bugarska tradicija, jazz), koji postaje jedan od najprisutnijih stilova u glazbi. Klezmer boju svojeg izraza duguje ponajvi\u0161e klarinetu, dominantnom po do\u010daravanju efekata jecaja, mrmljanja, gun\u0111anja, plakanja, ironije i senzacije svih vrsta smijeha. Do sada su nastupili u okviru glazbenih festivala na Krku, Rabu, u Osijeku, Zagrebu, Rijeci, Splitu, Koprivnici, Kopru, Tuhelju te su dva puta bili gosti na \u2018Bijenalu plesa i glazbe\u2019 u Trstu. Krajem 2022. Zagreb klezmer trio nastupio je u cjelove\u010dernjem koncertu ciklusa \u2018U ozra\u010dju tambure\u2019 s Tambura\u0161kim orkestrom HRT-a koji je u cijelosti snimljen za HRT. Usporedo s instrumentalnim formama, ansambl ostvaruje suradnju s plesa\u010dima u koreografiji pod nazivom \u2018DIJALOZI- glazba Europe\u2019 u organizaciji Bet Israela s nastupima u Zagrebu, Trstu i Rijeci. U pripremi je izdanje novog studijskog nosa\u010da zvuka uz aktualnu objavu viralnog projekta \u2018Staro i novo u umjetnosti klezmera\u2019 na platformi YouTube. Klezmer \u017eanr unatrag 50 godina ne prestaje osvajati srca publike i postaje nezaobilazni alat u izra\u017eavanju svih vrsta emocija na glazbenim instrumentima.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8221;Isprepleten proturje\u010dnim raspolo\u017eenjima, ovaj stil obuhva\u0107a melankoliju, neobuzdanu \u017eivotnu radost, bezbri\u017enost, ples, ali jednako mo\u017ee izmamiti i suze na o\u010di&#8230;&#8221; Mario Igrec, gitara; Bruno Philipp, klarinet; Krunoslav Mari\u0107, violina; Luka \u017du\u017ei\u0107, trombon i klavir; Zvonimir \u0160estak, kontrabas Nakon pro\u0161logodi\u0161njeg sjajnog nastupa na Sceni Amadeo, Zagreb klezmer kvintet \u0107e u svojem ovogodi\u0161njem programu prikazati inovativnost obrada [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":52160,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_gspb_post_css":"","_crdt_document":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[434],"tags":[228,227],"class_list":["post-52238","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rujan-2025","tag-event","tag-program"],"blocksy_meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/posts\/52238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/comments?post=52238"}],"version-history":[{"count":5,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/posts\/52238\/revisions"}],"predecessor-version":[{"id":52476,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/posts\/52238\/revisions\/52476"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/media\/52160"}],"wp:attachment":[{"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/media?parent=52238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/categories?post=52238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/tags?post=52238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}