{"id":51030,"date":"2015-05-12T11:40:07","date_gmt":"2015-05-12T11:40:07","guid":{"rendered":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/2015\/05\/12\/utorak-12-07-21-00-koncert\/"},"modified":"2015-05-12T11:40:07","modified_gmt":"2015-05-12T11:40:07","slug":"utorak-12-07-21-00-koncert","status":"publish","type":"post","link":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/2015\/05\/12\/utorak-12-07-21-00-koncert\/","title":{"rendered":"Utorak, 12.07. \/ 21:00 \/ koncert"},"content":{"rendered":"

Atrij Muzeja za umjetnost i obrt<\/span><\/span><\/p>\n

\u201eLa belle \u00e9poque…m\u00e9di\u00e9vale\u201c<\/strong><\/span><\/p>\n

Srednji vijek u pari<\/em>\u0161kim salonima po\u010detkom XX. Stolje\u0107a<\/em><\/span><\/p>\n

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Katarina Livljani\u0107, glas<\/strong><\/span><\/p>\n

Danijel Detoni, klavir<\/strong><\/span><\/p>\n

U suradnji s MUO i Francuskim institutom<\/em><\/span><\/p>\n

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Katarina Livljani\u0107 (glas) i Danijel Detoni (klavir) imaju premijeru glazbeno-scenskoga projekta pari\u0161koga repertoara s po\u010detka 20. stolje\u0107a. Os programa \u010dini nekoliko raznolikih glazbenika toga doba i njihov odnos prema srednjem vijeku: ponajprije je tu zanimjiv i kontroverzan lik Yvette Guilbert (1865-1944), pjeva\u010dice, glumice, knji\u017eevnice i intelektualke. Y. Guilbert je je pjevala bogat glazbeni repertoar caf\u00e9-concerta, glumila u kazali\u0161tu i filmovima, pisala prozu, a autorica je i priru\u010dnika o \u00a0interpretaciji vokalnoga repertoara. U suradnji s muzikologom Jeanom Beckom revitalizirala je izvedbu truverskih i trubadurskih srednovjekovnih pjesama koje je izvodila i u Carnegie Hallu u New Yorku uz klavirsku pratnju. Ova karizmati\u010dna umjetnica nadahnula nas je u stvaranju programa u kojemu se njezine pjesme i tekstovi isprepli\u0107u sa srednjovjekovnim napjevima koji su ih inspirirali. Kroz na\u0161u intimnu, frivolnu, jetku i vijugavu <\/span>\u0161etnju Parizom iz belle \u00e9poque,<\/span> uz Y. Guilbert susresti \u0107emo i ekscentri\u010dnoga gospodina s Montmartrea u bar<\/span>\u0161<\/span>unastome odijelu, Erika Satiea (1866-1925), a svratit \u0107emo na trenutak i u rafinirani svijet Clauda Debussyja (1862-1918) koji je kao nitko drugi znao uroniti impresionisti\u010dke madelaine<\/em> u krhke <\/span>\u0161<\/span>alice skrivenih goti\u010dkih melodija.<\/span><\/span><\/p>\n

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Vi\u0161e o Katarini Livljani\u0107 i Danijelu Detoniju mo\u017eete prona\u0107i <\/span>ovdje<\/a>.<\/p>\n

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Nastup \u0107e se odr\u017eati u atriju Muzeja za umjetnost i obrt!<\/strong><\/span><\/p>\n

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Cijena ulaznice: 100,00 kuna.<\/strong><\/span><\/p>\n

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Ulaznice mo\u017eete kupiti klikom na<\/strong><\/strong><\/strong><\/span><\/p>\n

\"link<\/a><\/strong><\/strong><\/strong><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Atrij Muzeja za umjetnost i obrt \u201eLa belle \u00e9poque…m\u00e9di\u00e9vale\u201c Srednji vijek u pari\u0161kim salonima po\u010detkom XX. Stolje\u0107a \u00a0 Katarina Livljani\u0107, glas Danijel Detoni, klavir U suradnji s MUO i Francuskim institutom \u00a0 Katarina Livljani\u0107 (glas) i Danijel Detoni (klavir) imaju premijeru glazbeno-scenskoga projekta pari\u0161koga repertoara s po\u010detka 20. stolje\u0107a. Os programa \u010dini nekoliko raznolikih glazbenika […]<\/p>\n","protected":false},"author":5,"featured_media":51029,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_gspb_post_css":"","_crdt_document":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[262],"tags":[],"class_list":["post-51030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhiva"],"blocksy_meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/posts\/51030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/comments?post=51030"}],"version-history":[{"count":0,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/posts\/51030\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/media\/51029"}],"wp:attachment":[{"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/media?parent=51030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/categories?post=51030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scenaamadeo.hr\/wordpress\/index.php\/wp-json\/wp\/v2\/tags?post=51030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}